Dir. David Mamet
Starring: Philip Seymour Hoffman,
Rebecca Pidgeon, William H. Macy, Alec Baldwin
State and Main is the intersection of two roads at the heart of
Waterford, Vermont. It is also the intersection of two ways of life when the
quiet, quaint town finds itself playing host to a movie crew. A (mostly)
good-hearted country welcome awaits the (mostly) cynical and sleazy film
industry types.
Director Walt Price (Fargo’s William H. Macy) is the man with
all the problems. They have been run out of New Hampshire after an unspecified
‘incident’ and find themselves needing to relocate filming over the border in
to Vermont with no increase in costs. He has to keep the townsfolk sweet,
answer questions from the crew about what he wants, placate leading lady Claire Wellesley
(Sarah Jessica Parker) who refuses to show her breasts on screen, keep star Bob
Barrenger (Pearl Harbor’s Alec Baldwin) out of trouble – it was
probably his predilection for school girls that lay behind their problems in NH
– and figure out how to complete The Old
Mill when it turns out Waterford’s old mill was actually burnt down in
1960.
Increasingly the man with the
answers is playwright Joseph Turner White (Philip Seymour Hoffman). As the
writer of the screenplay it is his job to reconcile all the different interests
and make up for the lack of an old mill. In this he is helped by sparky local
bookshop owner Annie (Rebecca Pidgeon). From her he learns that he has to speak
truth and focus upon what is really important. From him she learns that she can
do better than her ambitious fiancé Doug (Clark Gregg).
In real life the roles of writer
and director were combined in one person – David Mamet. His script sparkles
with great cheeky lines, from the old-timers in the diner reading Variety and commenting on opening takes
to the insiders’ jokes about the movie industry. Particularly the value of
associate producer credits (“It’s what
you give to your secretary instead of a raise”). This is a world where
money is the most important thing in the world. It is more important than
vision or scruples. Why else would Gandhi
2 get made? It is implied Bob had an affair with an underaged girl in New
Hampshire; the residents are so annoyed that… they hold the film set hostage.
In Vermont Doug is determined to see that Waterford gets its percentage of the
gross. He is later bought off when he tries to prosecute Bob for yet another
misdemeanour. They have no budget to create a new mill and so solutions have to
be found. Joseph is promised a career if he will perjure himself. Claire has an
attack of religion and absolutely refuses to show her breasts… unless she is
paid an extra $800,000. It is a world of grubby compromises.
The contrast with pleasant town
life could not be more apparent. Everyone is friendly to one another. They are
bonded by their love of the Huskies and local amateur theatre. Cops offer women
their coats to walk them home in the rain. The majority of people are helpful
and not working an angle. The film then is a culture-clash comedy like Sweet Home Alabama or Doc Hollywood. The film it most reminds
me of, however, is 1986’s Sweet Liberty.
That film almost made it on to my list for North Carolina and sees a film crew
descend on a small town to shoot a flagrantly-inaccurate Revolutionary War
romance. Writer and director Alan Alda went one better than Mamet – he also
starred in his film.
Have you guessed what it is yet? |
While Mamet does not feature in State and Main his wife, Rebecca
Pidgeon, does. This explains why I had never heard of her alone amongst a cast featuring
Philip Seymour Hoffman, Alec Baldwin, Sarah Jessica Parker, William H. Macy and
Julia Stiles. To be fair though, she shines as the pleasant – if somewhat
enigmatic – bookstore owner who finds herself attracted to Joseph. This film
really encapsulates the idea of the ‘ensemble cast’ with everyone weaving in
and out of scenes perfectly. Macy gets the lion's share of the comedy - well him and David Paymer's ball-breaking producer ("I'm going to rip your heart out, then I'm going to piss on your lungs through the hole in your chest! And the best to Marion..."). Yet while there are lovely performances the film
does feel at times like a succession of great one-liners. The script is a
collection of witty soundbites tied together with plot exposition, almost as if
Mamet chose his favourite quotes and then filled in the linking scenes
afterwards. Statements appear as non sequiturs: “It’s absurd!” “So’s our electoral process but we still vote.” This
is the main let down with the picture. Mamet is trying too hard to be Mamet.
What have I learnt about Vermont?
Vermont contains archetypal
little towns (called ‘cities’ despite their small size) that don’t seem to have
changed much since the 19th century. While each might be considered
interchangeable by outsiders they all have their own distinct quirks and
mannerisms and things to set them apart – whether it is the historic stained
glass window of Waterford’s fire station, the history of arson, the constant
greeting of “Go Huskies” or the
mystery of what happened in 1975. Sometimes it is best if outsiders do not even
attempt to figure these things out…
These towns may be small, but
they are as riven with politics as everywhere else. And it is certainly not
wise to piss off the mayor or his wife!
It would also be a safe
assumption that some of the earliest settlers in these parts were of Scottish
extraction. The town is located in Caledonia County, and the mayor (O Brother, Where Art Thou?’s Charles
Durning) and his wife (Broadway star Patti LuPone) get all rigged up in pseudo
Scottish outfits for their dinner with the film company.
Can we go there?
The film crew found themselves
transplanted to Waterford
in Caledonia County. The town really exists. It is set across the
Connecticut River from New Hampshire. It has a volunteer fire brigade and everything.
In a possible case of life
imitating art, State and Main was set
in Vermont, but filmed in Massachusetts. The town of Manchester-by-the-Sea north-east of Boston doubled for Waterbury. The former
Belmont School in Malden
provided the location for the film’s ‘sets’ (whih included the
‘courthouse’). The Endicott Estate in Dedham (south of Boston) was used for the hotel at which the
company stay.
Overall Rating: 3/5
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